Masterworks

The Divided World of Pawel Pawlikowski

Exile, lost identity, fractured homelands: a guide to the films of a director whose biography has always been his greatest source material.

The Fatherland That Never Was

Paweł Pawlikowski returns to Cannes with 82 minutes of monochrome precision, in a film about Thomas Mann’s return to post-war Germany.

At Cannes, Two Tales of Queer Awakening

‘A Woman’s Life,’ by Charline Bourgeois-Tacquet, portrays a mid-life love affair, while Jane Schoenbrun’s ‘Teenage Sex and Death at Camp Miasma’ gets raw and weird.