Notre-Dame’s Greatness, As Captured by Literary Giants
As Notre-Dame reopens, look to the literary greats who immortalised the gothic cathedral in their work.
Today’s reopening of Notre-Dame, five years after a devastating fire nearly destroyed the historic monument, is both a celebration of the physical restoration of the cathedral, but also the revival of a symbol that has stood at the heart of Paris for centuries.
For more than 850 years, Notre-Dame de Paris, a marvel of Gothic architecture, has been a muse, a sanctuary and a testament to resilience, inspiring some of history’s greatest literary minds.
Victor Hugo enshrined it as the soul of Paris in Notre-Dame de Paris, urging preservation during a time of neglect. While less direct in his descriptions, Proust mentions Notre-Dame in In the Shadow of Young Girls in Flower, highlighting its role in Parisian life and its shadow over the Seine. In Aurélien, Louis Aragon captured Notre-Dame’s beauty, while Gérard de Nerval, in his poem Notre-Dame de Paris, imagined the cathedral outlasting Paris itself, yet ultimately succumbing to the unavoidable passage of time.
Below are some of their citations which capture the importance of the monument, their words echoing the cathedral’s role as a symbol of endurance and creativity amid the trials of time.
Victor Hugo Notre-Dame de Paris (The Hunchback of Notre-Dame, 1831)
“The church of Notre-Dame de Paris is still, no doubt, a majestic and sublime edifice. But, beautiful as it has been preserved in growing old, it is difficult not to sigh, not to wax indignant, before the numberless degradations and mutilations which time and men have both caused the venerable monument to suffer, without respect for Charlemagne, who laid its first stone, or for Philip Augustus, who laid the last.”
Gérard de Nerval Notre-Dame de Paris, Odelettes (1853)
Notre-Dame est bien vieille: on la verra peut-être
Enterrer cependant Paris qu’elle a vu naître ;
Mais, dans quelque mille ans, le Temps fera broncher
Comme un loup fait un bœuf, cette carcasse lourde,
Tordra ses nerfs de fer, et puis d’une dent sourde
Rongera tristement ses vieux os de rocher!
Marcel Proust In the Shadow of Young Girls in Flower (1918)
“The sight of them enchanted me. They were ornamented with cathedral spires and allegorical figures, like the old, romantic editions that I had pored over as a child. All the products of one period have something in common; the artists who illustrate the poetry of their generation are the same artists who are employed by the big financial houses. And nothing reminds me so much of the monthly parts of Notre-Dame de Paris, and of various books by Gérard de Nerval, that used to hang outside the grocer’s door at Combray, than does, in its rectangular and flowery border, supported by recumbent river-gods, a ‘personal share’ in the Water Company.”
Louis Aragon Aurélien (1944)
..Il y avait Notre-Dame, tellement plus belle du côté de l’abside que du côté du parvis, et les ponts, jouant à une marelle curieuse, d’arche en arche entre les îles, et là, en face, de la Cité à la rive droite…
Victor Hugo Notre-Dame de Paris (The Hunchback of Notre-Dame, 1831)
“All eyes were raised to the top of the church. They beheld there an extraordinary sight. On the crest of the highest gallery, higher than the central rose window, there was a great flame rising between the two towers with whirlwinds of sparks, a vast, disordered, and furious flame, a tongue of which was borne into the smoke by the wind, from time to time.”
